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The Place of ‘place’ in wellbeing

Conference CFPs Posted on 03 Jan, 2014 12:31:17

The
place of ‘place’ in wellbeing scholarship

Convenors

Juan
Pablo Sarmiento Barletti (University of St Andrews) email
Emilia Ferraro (University of St. Andrews) email

Proposals
for the panel *The Place of ‘Place’ in Wellbeing Scholarship *to be held at the
ASA’s meeting in June. Paper proposals should be submitted at

http://www.nomadit.co.uk/asa/asa2014/panels.php5?PanelID=2742
by January 5th
2014 (Sunday).

This
panel presents a forum for the critical engagement with conventional and
contrasting approaches and understandings of wellbeing. Our panel aims to: 1)
contribute to the emerging scholarship that calls for more complex and
culturally nuanced considerations of “the everyday business of living in
the world” (Whatmore 1999:30); 2) takes indigenous complex understandings
of the world and how to live in it seriously; 3) responds to recent calls for
“place-based” understandings of wellbeing; and 4) shows the
methodological contributions of rigorous ethnography to wellbeing scholarship.

Are
discussions of wellbeing not also ontological discussions of what it means to
be human? If so, do different understandings of “wellbeings” beget
different modes of humanities? The interdisciplinary nature of wellbeing
scholarship focuses mainly on affluent societies of the North, hence mainstream
ideas of wellbeing are framed within grand Western narratives of what it means
to be human. What does a consideration of “place” bring to current
understandings of wellbeing? In what ways do “alternative”
understandings of wellbeing based on different modes of humanity challenge
conventional ideas debated in mainstream scholarship and policy debates? Can
such understandings of wellbeing represent possible viable alternatives to
mainstream universalising concepts of wellbeing? We invite ethnographic and
non-ethnographic papers that reflect critically on the importance that
“place” as an empirical and ontological category plays in
considerations of wellbeing cross-culturally.

http://www.nomadit.co.uk/asa/asa2014/panels.php5?PanelID=2742



Sacred Space, Pilgrimage, and Tourism

Conference CFPs Posted on 03 Jan, 2014 12:24:22

First Call for Papers: Sacred Space, Pilgrimage,
and Tourism

Conference:

RGS-IBG Annual
International Conference, London, Tuesday 26 to Friday 29 August 2014

Theme:

Geographies of
co-production

Conference chair:
Wendy Larner (University of Bristol)

Session sponsored by:
Geographies
of Leisure and Tourism Research Group (GLTRG) of the RGS-IBG

And convened by:
Jacky Tivers (St John’s College, Nottingham)

According to Park (1994,245), ‘one of the more
prominent geographical dimensions of religious expression is the notion of
sacred space’. Interest in this concept within human geography has
increased considerably in recent years (for instance, Hopkins et al, 2013;
Dwyer et al, 2013; Sturm, 2013; Megoran, 2013; Przybyiska, 2013; Dewsbury and
Cloke, 2009; Daniels, 2009; Holloway and Valins, 2002). Linked to the
idea of sacred space is the phenomenon of pilgrimage, which has been studied
through ‘a wide range of approaches – academic, confessional, personal and
canonical’ (Coleman and Elsner, 1995, 8), and which has also attracted the
attention of geographers (for example, Maddrell and della Dora, 2013).

Today, sacred space and pilgrimage are features of
all faiths and spiritualities, as well as being evident within the secular
realm, and are therefore important concepts to be considered in relation to
geographical understandings of places and their contexts. In addition, sacred
sites and pilgrimage routes may be re-imagined as tourism opportunities, both
by promoters and by tourists themselves. Indeed, Ron (2009,290) asserts that
pilgrimage is simply ‘a sub-type, or form, of tourism’, while Tidball (2004)
fears that it may very often show the same characteristics of ‘transience,
spectatorship, non-engagement with the local culture and moral
irresponsibility’ as tourism often does.

This session aims to investigate the co-production
of sacred space through the lens of pilgrimage/theology/spirituality/belief
systems, on the one hand, and that of tourism/leisure/promotion/visitor
behaviour, on the other, addressing practices at a range of scales –
individual, communal and commercial. Papers are invited which address
this issue of co-production specifically, as well as those that deal more
broadly with the concepts of sacred space and pilgrimage.

Abstracts of approximately 200 words should be
submitted to Jan Mosedale (jan.mosedale@htwchur.ch) by Friday, 14th February 2014.



London Underground’s Ghost Stations

Maps & Mapping Posted on 03 Jan, 2014 12:21:47

Re-blogged from Progressive Geographies

Dylan Maryk has
made a Google Map of London Underground’s abandoned or relocated stations; usvsth3m has
turned this into a map based on the standard Underground map.

http://usvsth3m.com/post/52135944891/ghost-stations-of-the-london-underground-on-the-classic



Architecture & Culture CFP – Architecture Film

Conference CFPs Posted on 03 Jan, 2014 12:13:59

Call for Papers for Volume 3, Issue no. 1 of the journal, Architecture and
Culture is titled ‘Architecture Film’
Issue edited by Dr Igea Troiani and Professor Hugh Campbell.

This aim of this issue of Architecture and Culture is to investigate how
the now expanded field of architecture utilises film studies, filmmaking
(feature film, short film, animation, stop motion animation or documentary)
or video/moving image making in practice, teaching or research, and what the consequences are of this interdisciplinary exchange.

While architecture and film have clearly distinct disciplinary outputs, the
possible intersection between them is less defined even though there is
considerable extant literature and research on this topic. Through this
call, we seek papers that investigate the ways in which practicing
architects, teachers of architecture and their students, and architectural
researchers, filmmakers, animators, documentary makers, social scientists or social geographers, anthropologists, landscape architects, urban designers,interior architects and installation artists are using film uniquely in their practice. We call for explorations of the way in which film contributes to architectural and filmic practice, knowledge and design,seeing the two disciplines side by side as equal, with no prepositions suggesting a specific relationship but at the same time creating a kind of distance and difference between the two.

We invite rigorously speculative, purposively imaginative, visually and
verbally stimulating contributions that explore architecture and film
through their own mode of argument – that combine text with sound or image
(moving or still), or that use text or image in investigative ways. We
encourage contributors to upload film, video or sound files relating to the
submission, as they will be accessible via the online publication of the
journal. Contributors are encouraged to submit parts of a script,
storyboard, mood board or sequential video grabs from the film or video
referred to in the paper. A maximum of 10 jpg images and 1 video per
submission will be accepted through our on-line submission system. We want
to explore how new digital technologies might impact on the form and content of an academic journal article.

Papers might address the following themes and questions:

Designing in Practice and Film

Only a small number of practicing architects have made short or feature
fiction films. Most practicing architects use animation or 3D visualisations ‘for demonstration or selling’ their work, or are approached by or commission documentary makers or filmmakers to make documentaries or films of their architecture. Some architects adopt a less pragmatic approach,instead electing to use film or video to focus on existential space. Select social scientists or geographers have used video to record social relations in space. While it does exist, it is less common for architects to use live action footage as a part of their fieldwork studies or design research process. What are new and original ways in which practicing designers of
space can use film in their praxis? What expertise do architects need to
know about filmmaking to undertake inter-disciplinary architecture film
work? Can, and then how can, the making of videos or films better allow
architects to understand the cultural, social and environmental context of
sites to enable to them operate in a more engaging way with client/user
issues? What are the virtues that film and video can bring to
architectural/landscape/urban design/interior design? How can CG, VFX and
animation be used inventively to contribute to the practice of
architectural/landscape/urban/interior design? How can working with film or
video contemporise the architect’s practice?

Architecture Film Pedagogy

Within schools of architecture, it is increasingly common to see the use of
experimental filmmaking or integration of film studies in the architectural
design studio or for site research. Within the architectural design studio,
teachers of architecture have speculated on how architecture and film might
be used methodologically to change the process of design or to incorporate
particular design requirements. Using animation to create animated
architecture is becoming more commonplace. Students are capable of making
and editing films easily and can therefore produce short films, videos and
animations quickly. What are new and original ways of using film in design
studio teaching? How might we better understand place, culture and identity
through using film in architectural studio research? Are there truly radical ways in which film can be used in teaching about the making of space and place?

– Architectural Research and Film

In their analyses of commercial and art house films, theoreticians and
historians regularly speculate on the ways in which film studies inform an
understanding of architecture and space. An uncommon form in which film is
used in architectural history research is the documentary, where oral
accounts can better be recorded. Another emergent form of architectural
filmmaking is in the production of short fiction films. How can making
documentaries or films enhance architectural research? To what extent can
researchers on architecture learn filmmaking? How have architects
collaborated with film industry experts in research? What is the difference
between working with real footage as opposed to fictional material in making architecture films?

The submission deadline is 10th March 2014, 5pm UK time. Accepted articles
will be published in March 2015.

For author instructions, please go to ‘Notes for Contributors’
http://www.bloomsbury.com/uk/journal/architecture-and-culture/

Upload
submissions at: http://www.editorialmanager.com/archcult/

If
you have any queries or require further information, please contact: Igea
Troiani: itroiani@brookes.ac.uk

Architecture
and Culture is the new journal of the Architectural HumanitiesResearch
Association http://www.ahra-architecture.org/



Transformative Legacies talk

Talks & Presentations Posted on 17 Dec, 2013 11:41:18

On 13 November 2013 as part of the Engage@Liverpool Transformative Legacies series I gave a paper titled ‘Spatial Anthropology: Outline of a Field of Practice’. The event was nominally based around the legacy of the James Frazer who for a short time was based at the University of Liverpool. Other speakers included Ciara Kierans and Bruce Routledge.

The text of the paper I presented is copied below:

Spatial Anthropology: Outline of a Field of Practice

In this presentation I want to follow several threads of discussion that each feed into a broader focus of analysis which is: anthropology as a field of practice. The spatial anthropology bit I’ll come onto a bit later. Framing things in terms of an ‘outline of a field of practice’ obviously has a certain Bourdieuian ring to it, and that is not entirely coincidental. It is also the sub-title of a paper I recently co-authored with Hazel Andrews on tourism anthropology some of which I’ll be drawing on here. As with the arguments put forward in that paper, the rationale for discussing anthropology as a field of practice is to situate what anthropology is (or isn’t) in an explicitly post-disciplinary contextual framework. Those of us here who would readily apply or relate the term ‘anthropology’ to their own practice probably do so in the recognition that we increasingly inhabit and move within spaces that do not neatly align along disciplinary lines, and that, as such, what might count as ‘anthropological’ perspectives sit alongside a whole host of others, some complimentary, others perhaps less so. Up to a point this is of course true for any academic discipline. But one of the questions we might wish to take from this is what happens to anthropology and anthropologists when it – and they – migrate out of anthropology departments? What happens when the field of practice is muddied with the boots of cross- and post-disciplinary intellectual traffic? Or, to put the question in unabashedly Bourdieuian terms, what is the habitus of post-disciplinary anthropology? One way of beginning to address these questions is, in good old anthropological fashion, to reflexively observe or draw from our own ‘anthropological practice’. So in part at least this is what I will try and do in this presentation. I’ll also be exploring more closely some recent cross-currents of thought between anthropology and geography, and this is where the spatial anthropology side of the equation will hopefully begin to make a bit more sense.

Given that we’ve evoked the spirit of Frazer for this event, I feel duty bound to begin with at least some brief reflections on his legacy, to the extent that there is a legacy to speak of that is. My initial inclinations were to give him pretty short shrift. After all, as well as being an exponent of Darwinian evolutionist approaches to the culture and belief systems of so-called primitive cultures, Frazer was also famously known as an ‘armchair anthropologist’. Before the arrival of pioneers such as Malinowski or, in the United States, Franz Boas, Frazer’s generation rarely consummated the formative anthropological rite of passage that is fieldwork. For Frazer travel was limited to the vicarious kind, his analysis drawn from the expansive Orientalist literature that, in his day, passed for anthropological knowledge, and which, as Edward Said argued, played an key role in processes of European colonial expansion. In terms of Frazer’s legacy, his place in the canon of key anthropological writings taught at universities is for the most part likely to be marginal to the point of non-existence. Out of curiosity, in preparing this talk I dusted off my 1st year undergraduate lecture notes (in the mid 1990s I studied social anthropology at SOAS in London). I was not surprised to learn that The Golden Bough was not on any of the key reading lists, nor did it appear on any of the supplementary reading lists either. This appeared to confirm my suspicions that Frazer was nothing more than a footnote in the history of anthropology and that it wasn’t until Malinowski came on the scene that anthropology ‘proper’ – that is, something that more closely resembles what we might recognise as the discipline today – first began to take shape.

However, just as I was about to swipe Frazer and his legacy into oblivion, I realised that I had only recently drawn on his work myself in a paper on marketing popular music tourism sites, and that, footnote or not, his work still obviously has retained some degree of critical resonance. The paper in question took Frazer’s theory of contagious and sympathetic magic and argued the case that modern marketing discourses – particularly those that draw on the symbolic value associated with sites of local cultural heritage – often practice forms of what can be described as contagious magic. I won’t go into too much detail of the argument here (and refer you instead to the paper itself), but in a nutshell the idea being examined was the efficacy ascribed to the anticipated ‘rubbing off’ of cultural capital, as if, through contact or mimesis, some sort of economic and regenerative ‘magic’ will inevitably rub off and cast its benign spell over a city or region. Which is all well and interesting but need not concern us here. In terms of the current discussion, the point I wish to make here is that Frazer’s ideas (or some at least) have gone to inform later theoretical writings on magic and mimesis, whether this be the work of Walter Benjamin, or that of anthropologists such as Michael Taussig or Alfred Gell. Although my use of Frazer in this example probably more closely resembles what the Situationists refer to as an act of détournement than an acknowledged anthropological debt, it is nevertheless the case that Frazer’s book is still being referenced and ideas still being chewed over so there is undoubtedly a legacy there to speak of, albeit one that has been re-processed through subsequent and more substantive theoretical frameworks.

A description of anthropology I have always liked is one offered by Tim Ingold, which is simply ‘philosophy with the people in’. If we apply this to Frazer we immediately see the glaring anthropological deficit at the core of his enterprise: i.e. the conspicuous lack of actual human engagement and ethnographic interaction. It is philosophy without the people in. And before this begins to sound like a valorisation of the ethnographically-savvy Malinowski at the expense of the stay-at-home Frazer, it is worth paying brief mention to the controversy following the posthumous publication of Malinowski’s field diary in the late 1960s. Described by some as functioning as a kind of ‘safety valve’, the diary reveals racist and at times hostile attitudes towards his Trobriand informants which provide an altogether different view from that portrayed in his monograph, Argonauts of the Western Pacific. One of the more infamous lines from the diary is ‘on the whole my feelings toward the natives are decidedly tending to “Exterminate the brutes”’. With the phrase ‘exterminate the brutes’, Malinowski is directly quoting from fellow Pole Joseph Conrad’s novella Heart of Darkness, not exactly a model of enlightened and empathetic ethnographic practice. That said, the ‘horror’ of some fieldwork experiences, if we can put it in those terms, would probably make for a fruitful area of discussion, and who knows, might even render Malinowski in a more sympathetic light insofar as the ethnographer-informant relationship is recognised as having its more testing moments. How many anthropologists, I wonder, in private moments of discomfort or despair have on occasion not harboured some less than wholesome views towards those they are studying? Anthropologists are only human after all. So coming back to Ingold’s ‘philosophy with the people in’, the point I wish to raise here is that, however distasteful, the diary provides valuable insights into Malinowski the man, rather than Malinowski the scientifically objective anthropologist, the latter being of course a complete fiction. These more ‘back stage’ reflections allow for a greater recognition of the situated, subjective and in many ways contingent realities that are framed by the ethnographic encounter. So in pragmatic terms at least, the idea of ‘philosophy – or anthropology – with the people in’ highlights the importance of critically taking on board questions of reflexivity, the value and role of personal narratives and experiences, and of considering how adopting more auto-ethnographic methods of fieldwork practice might be useful or productive.

A useful example to consider here is Marc Augé’s much-cited book Non-Places: Introduction to an Anthropology of Supermodernity. I very clearly remember when I was first introduced to this text, which was in a lecture in my first year at SOAS. The lecturer held up the slim volume in one hand and in the other he brandished the weighty tome that is Manuell Castell’s The Rise of the Network Society, which had also just been published. The lecturer’s point wasn’t to necessarily argue the merits for one over the other – for Augé vs Castells – but rather to highlight the uniquely anthropological perspective on offer in Non-Places, and to show the value of auto-ethnographic narratives in fleshing out the lived spaces of what Augé calls ‘supermodernity’. These are spaces of transit such as airports, high speed road networks, shopping malls, etc. and which represent the architectural and geographical counterpart to Castell’s ‘space of flows’. What Augé was also doing in the book was to highlight the challenge of relating some of the established anthropological ideas of place and space – such as those from a more Durkheimian tradition – to these new ‘placeless’ or transitory environments. In the book Augé doesn’t really develop as full or as adequate response to this challenge himself, the book offers more of a diagnosis than a fully-fledged ethnographic study of these landscapes. However, that said, the publication of Non-places was without doubt an important intervention in the development of specifically anthropological approaches to place and space – or ‘spatial anthropology’ if you prefer.

Another influential book that left its mark on my early adventures in anthropology was Michael Jackson’s Paths Toward a Clearing: Radical Empiricism and Ethnographic Inquiry, published in 1989. As an undergraduate I remember being very excited by this discovery and could not understand why this strand of anthropological theory and method was not more widely practised. Jackson’s work is very much rooted in an American tradition of cultural anthropology as opposed to the Durkheimian structural-functionalist tradition that has shaped the development of much Anglo-French social anthropology. As a leading exponent of phenomenological and existential anthropology, Jackson’s work explores questions of experience, embodiment, and the senses, and he offers a fieldwork model which places the anthropologist full square in the immersive field and experiential flux of the ethnographic encounter. This is what is meant by a ‘radical empiricist’ ethnographic method, drawing on everything that the field throws at you, whether emotional, bodily, sensory, performative, spatial, intersubjective, observational, thick description and so on. Strongly influenced by, amongst others, the pragmatist philosophy of William James, the phenomenological writings of Heidegger, Sartre and Merleau Ponty, as well as the work of Pierre Bourdieu, Jackson’s brand of anthropology, which is mostly based on his work with the Kuranko peoples of Sierra Leone, offers a rich embracing of Ingold’s ‘philosophy with the people in’ prescription. The core focus on experience also has close affinities with the work of experiential anthropologists such as Victor Turner and Ed Bruner.

Another phenomenological anthropologist we could briefly mention here is Thomas Csordas, whose work sits mainly in the area of medical and psychological anthropology and theories of embodiment. Commenting on the methodological focus on issues of affect, emotions, embodiment, performance and the senses, Csordas is keen to stress that ‘it will not do to identify what we are getting at with a negative term, as something non-representational’ (1994: 10). In other words, just because phenomena cannot be ‘represented’ in conventional empirical observational terms, it doesn’t make it ‘non-representational’ (and this takes us back to the radical empiricism championed by figures such as Jackson). If we jump back to Augé for a second we can get a sense of the shortfalls of Augé’s answer to his own question of how do you conduct an anthropology of supermodernity? How do you begin to go about ethnographically investigating a space such as an airport terminal? The shortfall in Augé’s approach is perhaps on account of his being hamstrung by a rigid dualism of representational vs. non-representational thinking. And that this is in part a reflection of a disjuncture between anthropology modelled on a structural-functional intellectual heritage (of which Augé is clearly an inheritor), and one more reflective of the interpretative, experiential and phenomenological approaches exemplified by anthropologists such as Jackson and Csordas.

When we start to examine this from a wider cross or post-disciplinary context the marginalisation – certainly in British schools of social anthropology – of more phenomenological approaches to anthropological fieldwork has opened the way for scholars from other disciplinary backgrounds to steal a march, effectively. And this, I am suggesting, has possible negative ramifications in terms of the longer term sustainability of anthropology in British universities, where it sometimes seems as though it is clinging on by its fingertips. When we consider the sort of approaches pioneered by US anthropologists such as Jackson alongside initiatives that have been developed in other disciplines, most notably in geography, we can get a sense of how many of these ideas have diffused across disciplines. To take this slightly further, and proceeding from Csordas’s well observed note of caution about the term ‘non representational’, it is worth briefly considering ideas around so-called ‘non representational geographies’.

I am not going to go into this in any great depth, and I’m working towards a conclusion anyway, but I just wanted to consider some of the claims made with regard to non-representational theory. And these are cited with the preceding discussion very much in mind. I am quoting here from Nigel Thrifts 2007 book Non-Representational Theory: Space, Politics, Affect.

Acknowledging the ‘increasingly diverse character’ of non representational theory, and that ‘it has a lot of forebears’, Thrift outlines some of its key tenets: 

· — the importance of ‘radical empiricist’ epistemologies;

· — the ‘on-flow’ and flux of everyday life;

· — the ‘spillage of things’ (the material and technological apparatus of everyday social being – our relationship with objects and non-human agents);

· — corporeality, affect, and the senses;

· — performance and play;

· — and an attentiveness to practices, ‘understood as material bodies of work or styles that have gained enough stability over time, through, for example, the establishment of corporeal routines’ .

Another introductory or sound-bite definition Thrift offers is that non representational theory is about ‘the geography of what happens… what is present in experience’ (ibid: 2, emphasis in original). ‘The geography of what happens’ is certainly an intriguing turn of phrase. In our paper ‘(Un)Doing Tourism Anthropology’, Hazel Andrews and I float the contention that ‘the geography of what happens’ can almost be looked upon as an attempt to dress anthropological issues of place, practice and performance in the clothes of the geographical. Given that everything that happens happens somewhere (and that all anthropological phenomena is, therefore, at least partly if not intrinsically geographical) then where does this leave the anthropologist? And where does it leave anthropology as a discipline? If, rather than thinking about it in disciplinary terms, we think about anthropology in terms of its ‘doing-ness’ – in other words, in terms of its application as a wider field of practicethen what the example of non-representational geography helps us illustrate is that what might count as doing anthropology is not necessarily conditional on there being an explicitly framed discipline that is recognised in terms of it being anthropology. In other words, you don’t necessarily have to be an anthropologist to do anthropology.

If this is the case (and I am not claiming that it is necessarily), but if it is then it is a double-edged sword. On the one hand, the uptake of ethnographic methods that have been at the core of anthropological thinking and practice for decades are given a further reaching lease of life through different channels of theory and practice. At the same time it poses questions as to the specificity of anthropological perspectives and critical orientations (and the knock-on effects this might have for anthropology departments). Paul Gilroy has talked of the process of ‘filleting’ that sometimes occurs when ideas and theories translate between disciplines (particularly in the case of social science theories imported into business and marketing models). So for those of us who would wish keep faith in terms of ascribing to the idea of ‘philosophy with the people in’ rather than, say, a more nebulous ‘geography of what happens’, then it seems to me the task of practicing anthropology – whatever the disciplinary or institutional setting – demands a certain degree of vigilance and, for want of a better term, ‘anthropological advocacy’.

If, for the purposes of a few closing remarks, you can once again forgive the indulgence of my relating these points of consideration to my own experience, then the at times convoluted passage through three major interdisciplinary projects is one that has, if anything, re-affirmed my own convictions of the value of identifying more closely with this idea of anthropology as a field of practice. As a postdoctoral researcher I worked on two consecutive projects on film, mapping and urban space, and a European collaborative project on popular music, heritage and cultural memory. As interdisciplinary research programmes (working collaboratively with architects, geographers, sociologists, cartographers, film scholars, popular music scholars and others) all of these projects presented certain challenges in terms of negotiating a passage through a number of what were, at times, competing trajectories and perspectives. It is perhaps only in hindsight and on account of a closer rapprochement with anthropological approaches that it occurs to me that what probably underpins all the points of negotiation that made the projects so interesting to work on is some degree of adherence, on my part, to the principle of ‘philosophy with the people in’, or at least to skew things back towards more of an anthropological perspective. To conclude with a rather woolly call for a focus on ‘people’ sounds a bit trite, I know. But it is surprising how often you find yourself having to re-affirm – as much as to yourself as those around you – this otherwise quite elemental point of principle. Taken alongside the fact that, to paraphrase Henri Lefebvre, people have a social existence to the extent that they also have a spatial existence, it is also to re-affirm the idea of ‘geography with the people in’ (or indeed ‘architecture with the people in’). Whether ‘geography with the people in’ is the same thing as ‘human geography’ or not is probably one of those heads of a pin questions and not best pursued, but ‘spatial anthropology’, for my money at least, is a term that sits more comfortably as part of a wider, post-disciplinary field of practice.

References

Augé, M. 1995. Non-Places: Introduction to an Anthropology of Supermodernity. London: Verso.

Castells, M. 1996. The Rise of the Network Society. The Information Age: Economy, Society and Culture Volume 1. Oxford: Blackwell.

Csordas, T.J. 1994. ‘Introduction: the Body as Representation and Being-in-the-world’, in T.J. Csordas (ed.),1994. Embodiment and Experience: The Existential Ground of Culture and Self. Cambridge: Cambridge University Press.

Frazer, JG. 1924. The Golden Bough. London: Macmillan.

Ingold, T. 1992. ‘Editorial’, Man N.S. 27(4): 693–96.

Jackson, M. 1989. Paths Toward a Clearing: Radical Empiricism and Ethnographic Inquiry. Bloomington: Indiana University Press.

Thrift, N. 2007. Non-Representational Theory: Space, Politics, Affect. London: Routledge.

Roberts, L. 2014. ‘Marketing Musicscapes, or, the Political Economy of Contagious Magic’, in Tourist Studies, 14 (1).

Roberts, L. and H. Andrews. 2014. ‘(Un)Doing Tourism Anthropology: Outline of a Field of Practice’, Journal of Tourism Challenges and Trends.

Smith, M.1999. ‘On the state of cultural studies: an interview with Paul Gilroy’, Third Text, 13 (49): 15-26.

 

Les Roberts, 13 November 2013.



NY Times article on Google mapping and ‘world domination’

Maps & Mapping Posted on 12 Dec, 2013 11:42:27

Google’s Road Map to Global Domination

New York Times Magazine, 11 Dec 2013:

http://www.nytimes.com/2013/12/15/magazine/googles-plan-for-global-domination-dont-ask-why-ask-where.html?ref=international-home&_r=0



New Henri Lefebvre publication: Toward an Architecture of Enjoyment

Cities & Space Posted on 12 Dec, 2013 09:07:23

Re-blogged from progressivegeographies

A previously unpublished manuscript by Henri Lefebvre, Toward an Architecture of Enjoyment
is forthcoming with University of Minnesota Press. Edited by Łukasz
Stanek and translated by Robert Bonnano, this is going to be a
significant moment in the discussion of his work, especially since the
manuscript remains unpublished in French.

The relationship between bodily pleasure, space, and
architecture—from one of the twentieth century’s most important urban
theorists Toward an Architecture of Enjoyment,
the first publication of Henri Lefebvre’s only book devoted to
architecture, redefines architecture as a mode of imagination rather
than a specialized process or a collection of monuments. Lefebvre calls
for an architecture of jouissance—of pleasure or enjoyment—centered on
the body and its rhythms and based on the possibilities of the senses.

https://www.upress.umn.edu/book-division/books/toward-an-architecture-of-enjoyment



Counter Mapping Cultural Heritage

Memory & Heritage Posted on 05 Dec, 2013 14:10:39


Who Needs Experts? Counter-mapping Cultural Heritage
John Schofield (ed.). Ashgate.

Taking the
significant Faro Convention on the Value of Cultural Heritage for Society
(Council of Europe 2005) as its starting point, this book presents pragmatic
views on the rise of the local and the everyday within cultural heritage
discourse. Bringing together a range of case studies within a broad geographic
context, it examines ways in which authorised or ‘expert’ views of heritage can
be challenged, and recognises how everyone has expertise in familiarity with
their local environment. The book concludes that local agenda and everyday
places matter, and examines how a realignment of heritage practice to
accommodate such things could usefully contribute to more inclusive and
socially relevant cultural agenda.

http://www.ashgate.com/isbn/9781409439349



Locating the Moving Image

Publication News Posted on 29 Nov, 2013 17:19:37

Locating the Moving Image: New Approaches to Film and Place, edited by myself and Julia Hallam, has now been published: http://www.iupress.indiana.edu/product_info.php?cPath=1037_1223_7306&products_id=807036



Cestrian Book of the Dead

Projects Posted on 29 Nov, 2013 16:37:18

I’ve recently been revisiting the River Dee project with a view to creating an embedded Google Earth map of the geo-referenced data previously assembled (see ‘Sands of Dee’ webpage on liminoids.com). This is now finished and the map added to the website: http://www.liminoids.com/inthefield/sandsofdee/map.html.

The Cestrian Book of the Dead is a necrogeographic map of the Dee Estuary, located between Flintshire and the Wirral Peninsula. ‘Cestrian’ is a term that refers to the city of Chester, which, until the 18th Century and the eventual silting of the River Dee, was a major port city.

The map features historical sites of drowning, developed by geo-referencing data from Chester City Coroner records, dating back to the early 1500s. Many of the deaths record specific or approximate locations, as well as activities the deceased were engaged in at the time of their death.

The map reveals an estuarine and riverine landscape that was a thriving social and cultural space, playing host to everyday practices such as washing clothes, bathing, leisure (William Cowpack met his end picking daisies), and travel. As a liminal landscape, the river and the ‘Sands of Dee’ – immortalised in Charles Kingley’s poem of the same name – was a space of transit, a borderzone, and the site of a major communication route between England and Wales.

On account of its hazardous and unpredictable terrain (as well as its attraction as a popular site of suicide), the river and estuary were also places where many of its wayfarers found themselves ushered over the threshold between life and death. The Cestrian Book of the Dead is a monument to the innumerable ghosts that still inhabit these spaces in-between.

http://www.liminoids.com/inthefield/sandsofdee/map.html



Henri Lefebvre and Education

Cities & Space Posted on 13 Nov, 2013 13:33:48

Reblogged from Progressive Geographies

Sue Middleton’s book Henri Lefebvre and Education:
Space, Theory, History
is forthcoming in November with Routledge.

During his lifetime Henri Lefebvre (1901-1991) was renowned in France as a philosopher, sociologist and activist. Although he published more than 70 books, few were available in English until The Production of Space was translated in 1991. While this work – often associated with geography – has influenced educational theory’s ‘spatial turn,’ educationalists have yet to consider Lefebvre’s work more broadly.

This book engages in an educational reading of the selection of Lefebvre’s work that is available in English translation. After introducing Lefebvre’s life and works, the book experiments with his concepts and methods in a series of five ‘spatial histories’ of educational theories. In addition to The Production of Space, these studies develop themes from Lefebvre’s other translated works: Rhythmanalysis, The Explosion, the three volumes ofCritique of Everyday Life and a range of his writings on cities, Marxism, technology and the bureaucratic state. In the course of these inquiries, Lefebvre’s own passionate interest in education is uncovered: his critiques of bureaucratised schooling and universities, the analytic concepts he devised to study educational phenomena, and his educational methods.

Throughout the book Middleton demonstrates how Lefebvre’s conceptual and methodological tools can enhance the understanding of the spatiotemporal location of educational philosophy and theory. Bridging disciplinary divides, it will be key reading for researchers and academics studying the philosophy, sociology and history of education, as well as those working in fields beyond education including geography, history, cultural studies and sociology.



ELN call for papers – Imaginary Cartographies

Conference CFPs Posted on 06 Nov, 2013 08:28:15

ENGLISH LANGUAGE NOTES
Call for Papers:

ELN
52.1 Spring/Summer 2014
“Imaginary Cartographies”

In recent decades the map has emerged as a key site of cultural and imaginative reworking, and yet the history of such symbolic mediations between humans and their spatial environment is also ancient and complex. Volume 52.1 of ELN (Spring/Summer 2014) will investigate “Imaginary Cartographies” across centuries and cultural contexts to explore a range of these symbolic mediations. “Imaginary Cartographies” includes those methods of mapping literary space that generate both imaginative and culturally revealing understandings of recognizable and/or created worlds and their modes of habitation. The term refers to actual as well as purely conceptual maps, and includes spaces of considerable variability: from the mapping of cosmic, global, or local space, to charting the spaces of the body or the page. Geographers have argued that the social history of maps, unlike that of literature, art, or music, has few genuinely popular, or subversive modes of expression because maps pre-eminently are a language of power, not of protest; in this view, the map remains a site of territorial knowledge and state power, authority and jurisdiction, social codes and spatial disciplines—one intent upon eliding its tactile and material conditions of production. “Imaginary Cartographies” welcomes approaches to mapping that complicate this account by considering subaltern or alternative cartographies—cartographies that elude, interrupt, or disperse forms of power, or serve not-yet-imagined spectrums of interests.

Contributors may wish to present recent research findings on particular writers, cultural figures, or texts, or they may venture insights on broadly defined subjects, such as the aesthetics or politics of imaginary cartographies in a particular cultural or historical instance; on what constitutes cartographic assumptions or practices about space, nature, cosmology, or exploration at particular historical moments; on how cartography intersects with broader issues of knowledge creation and management, or the history of capital and conquest; or on the entanglement of literary theory with debates about (digitally) mapping texts individually or categorically. Papers on literature and particular cartographic practices are welcome: e.g. psychogeography, geomancy, cognitive mapping, digital mapping, and so on. Actual maps that are in some way conversant with literary concerns are also welcome.

Position papers and essays of no longer than twenty-five manuscript pages are invited from scholars in all fields of literature, geography, history, philosophy, and the arts. Along with analytical, interpretive, and historical scholarship, we are also interested in creative work that moves traditional forms of literary analysis into new styles of critical writing. The editors also encourage collaborative work and are happy to consider works that are submitted together as topical clusters. Another format that we invite is a debate or conversation between or among contributors working on a related aspect of cartography.

Essays will be reviewed by external readers; all submissions should adhere to the Chicago-style endnote citation format. Please email double-spaced, 12-point font, .pdf file submissions to to:

Managing Editor
English Language Notes

eln2@colorado.edu

Specific inquiries regarding issue 52.1 may be addressed to the issue editor, Karen Jacobs: (Karen.Jacobs@colorado.edu).

The deadline for inquiries and abstracts is November 15, 2013; submissions deadline is December 15, 2013.



The View from the Train

Cities & Space Posted on 21 Oct, 2013 15:53:10

New Book: The View from the Train: Cities and Other Landscapes

by Patrick Keiller (Verso, 2013)

Essays by the iconic British filmmaker on the relationship between film, cities and landscape

“Robinson believed that, if he looked at it hard enough, he could cause the surface of the city to reveal to him the molecular basis of historical events, and in this way he hoped to see into the future.”

In his sequence of films, Patrick Keiller retraces the hidden story of the places where we live, the cities and landscapes of our everyday lives. Referencing writers such as Benjamin and Lefebvre, this collection follows his career since the late 1970s, exploring themes including the surrealist perception of the city; the relationship of architecture and film; how cities change over time, and how films represent this; as well as accounts of cross-country journeys involving historical figures, unexpected ideas and an urgent portrait of post-crash Britain.

http://www.versobooks.com/books/1504-the-view-from-the-train



The Aerial View in Visual Culture

Cities & Space Posted on 21 Oct, 2013 14:23:41


New Book
: Seeing from Above: The Aerial View in Visual Culture, Edited by: Mark Dorrian, Frederic Pousin. IB TAURIS 2013.

The view from above, or the “birds-eye” view, has become so ingrained in contemporary visual culture that it is now hard to imagine our world without it. It has risen to pre-eminence as a way of seeing, but important questions about its effects and meanings remain unexplored. More powerfully than any other visual modality, this image of “everywhere” supports our idea of a world-view, yet it is one that continues to be transformed as technologies are invented and refined. This innovative volume, edited by Mark Dorrian and Frederic Pousin, offers an unprecedented range of discussions on the aerial view, covering topics that range from sixteenth-century Roman maps, to the Luftwaffe’s aerial survey of Warsaw, to Google Earth. Underpinned by a cross-disciplinary approach that draws together diverse and previously isolated material, this volume examines the politics and poetics of the aerial view in relation to architecture, art, film, literature, photography and urbanism and explores its role in areas such as aesthetics and epistemology. Structured through a series of detailed case studies, this book builds into a cultural history of the aerial imagination.

http://www.ibtauris.com/Books/The%20arts/Photography%20%20photographs/Seeing%20From%20Above%20A%20Cultural%20History%20of%20the%20Aerial%20View.aspx



Digital Echoes symposium

Conference CFPs Posted on 18 Oct, 2013 09:20:05

Coventry University Centre for Dance Research (C-DaRE) is pleased to invite you to the Digital Echoes symposium

Wednesday 8th January 2014; 10:00-17:00

Institute for Creative Enterprise, Coventry University, Parkside, Coventry

Convenors: Professor Sarah Whatley (Coventry University) and Dr Sarah Atkinson (University of Brighton)

Attendance fee: £30 (includes light lunch and refreshments);

Booking is essential.

Digital Echoes 2014 builds on the previous three ‘Digital Echoes’ events
and will bring together researchers, artists, educators, professionals
and practitioners from the field of digital archives and the archiving
of practice with an emphasis upon Art, Design,
Media, Film and Performing arts disciplines. The focus will be on
expanding dialogues across the arts and humanities to explore the
affordances of digital technologies upon archival practices.

Within digital archival practices, there is a notable shift from the
closed to the open and from the traditional single-user archive model to
emerging multi-user, collaborative forms of archival practices and
scholarship. The digital preservation and presentation
of archival materials dramatically impacts upon the nature and notion
of access. The types of discoveries, insights and findings that can be
made through online digital interfaces can be radically altered.

We now invite proposals to contribute presentations for the day, which
might focus on any aspect of digital archives, that consider national
and international collections, which might focus on archival strategies,
policy, copyright and education, and which
consider technological aspects of digital archiving including the
semantic web, analytics, meta-data, tagging and time-based meta-data. We
are interested in encouraging contributions from a range of contexts,
originating from academic research, policy making
and from the archival professions. We are also particularly interested
in contributions that examine the impact on digital archiving practices
on teaching and learning within a higher education context. Those
interested in presenting on the day should send
a short abstract (200 words max) together with names of presenter/s,
contact details, brief 100 word biog and any technical requests to researchadmin.ad@coventry.ac.uk. The
deadline for submissions is 30 November 2013.

Presenters will also be invited to submit to a special issue of
Convergence (Vol. 21, no 1), edited by Sarah Atkinson and Sarah Whatley,
that focuses on this same theme: Digital Archives and Open Archival Practices. Submission of full papers to the
Editors by February 28 2014. Full details about how to submit are available here: http://con.sagepub.com

Further information about the day and how to register to attend the event can be found on the C-DaRE website: www.c-dare.co.uk or
email researchadmin.ad@coventry.ac.uk



“Landscape and Environment” – Screen conference 2014

Conference CFPs Posted on 10 Oct, 2013 10:03:35

Deadline for proposals: Friday, 10th January 2014.

From
their earliest inception, film and television have been concerned with
the registration of place through the unique capacity of the audiovisual
moving image to convey the experience of locale over time. In recent
years, screen studies has engaged with the politics of location
especially through the site of the cinematic city and inter-related
questions of modernity, architecture and urban cultural transformation.
The main theme of this year’s Screen conference will offer an
opportunity to extend critical debate into the fields of landscape and
the environment. In so doing, it will offer an exciting range of
inter-disciplinary perspectives in order to reflect on the real and
imaginary ways that we interact with the world through the portal of the
screen.

Martin
Lefebvre has argued that landscape manifests itself as an
interpretative gaze. It is anchored in human life not just as something
to look at but to live in socially as a cultural form. Cultural
geography now argues that landscape must not only be understood as the
outcome of interactions of nature and culture, but that practices of
landscaping such as walking, looking, driving and, of course, filmmaking
might also be the origin of our ideas about what ‘nature’ and ‘culture’
actually are. If human investment toward space produces the notion of
landscape, what then are the principal ways in which the moving image
articulates this process? How have film and television articulated the
necessary tension between embodied immersion within a specific
topographical space and critical reflection on the specific historical
and cultural contexts that shape global screen culture past and
present?

The
Screen Studies Conference, one of the longest running and most
successful events of its kind in the world, welcomes proposals for
papers/panels on any of these questions and on the following topics
related to the main conference theme (as usual, proposals for other
subjects beyond this focus will also be considered):

· The representation of geographically and historically specific screen landscapes

· Environmental politics and screen cultures

· Genre, narrative and the landscape

· Phenomenology and screen landscapes

· Landscape and television culture

· Journeys and landscapes: walking and travelling on screen

· The landscapes of world cinema

· Landscape and environment: autobiography, history, memory

· Screen cultures within the environment

· The dialectics of place and non-place in film and video

· Site-specific screening practices

To submit a proposal, please visit http://www.gla.ac.uk/services/screen/conference2014/



Cultural Politics of Memory – conference

Conference CFPs Posted on 04 Oct, 2013 16:58:26

CENTRE FOR CRITICAL AND CULTURAL THEORY
CARDIFF UNIVERSITY

INTERNATIONAL CONFERENCE ON
THE CULTURAL POLITICS OF MEMORY

14-16 MAY 2014

CALL FOR PAPERS

The politics of remembering and forgetting are important social and cultural issues. The authority, power and resources with which to create hegemonic versions of the past – to give authoritative accounts that are available in the public domain – are largely the property of institutions. Questions of power, voice, representation and identity are central to Cultural and Collective Memory.

This interdisciplinary conference will address how hegemonic narratives of the past are reproduced or challenged. It will examine the role of Cultural and Collective Memory in shaping meanings, values and identities. Papers are encouraged to address the relationship between past and present in Cultural and Collective Memory and how this relates to social power relations.

Papers are welcome in areas such as:

• Cultural memory and the archive
• Curating memory
• Globalised memory
• Marginalised histories
• Memory and affect
• Memory and anti-colonial struggle
• Memory and class
• Memory as gender/sexual politics
• New technologies and memory
• Public history
• Racialised memory
• Religion and cultural memory
• Space, place and memory
• Theoretical approaches to cultural and collective memory

Please send a 300 word extract and a short CV to: cpm@cardiff.ac.uk

Deadline for the receipt of abstracts: 31 January 2014



A Story of Six Rivers

Liminality & Landscape Posted on 03 Oct, 2013 11:59:22


New publication: A Story of Six Rivers: History, Culture and Ecology.
Peter Coates (Reaktion, 2013)

Includes chapter on the River Mersey.



Live London Underground Map

Maps & Mapping Posted on 03 Oct, 2013 11:38:59

[Re-blogged from Progressive Geographies]

A neat bit of cartography – taking a data feed from Transport from London and turning it into a live map. The Skyfall version is also very cool and there are others for mainline trains, etc. Thanks to Nistasha Kaul for the link.

http://traintimes.org.uk/map/tube/



Cinema and the Post-Industrial City conference

Conference CFPs Posted on 01 Oct, 2013 11:10:56

Cinema and the postindustrial city

Call for papers
Association of American Geographers Annual
Meeting
8-12 April 2014 Tampa FL

Organiser: Johan Andersson, Department of
Geography, King’s College London

This session explores how the economic reorganisation of the city since the
1960s has impacted on the production, distribution, and mise-en-scène of urban
cinema. While there is a significant literature in economic geography on
post-Fordist changes in the film industry, this session specifically welcomes
scholarship that links the interconnected restructuring of the city and the
film industry with visual, aesthetic and narrative developments in urban
cinema. Such approaches may focus on how new trends in on-location shooting,
technical innovations (with regards to sound, lighting, digital animation,
lighter equipment and so on) and changes in the distribution of film (TV, video
and online) have resulted in novel modes of representing the city. Close readings
of individual films or genres that explore the changing occupational class
structure of post-Fordist cities (yuppie, ghetto and gentrification films as
well as corporate and legal thrillers for example) or the identity politics
associated with new urban social movements (feminist cinema, New Queer Cinema,
representations of race) are particularly welcome.

Topics may include but are not limited
to:

Representations of urban
space/landscape

The political economy of film
industries in postindustrial cities and the role of film/television in the
cultural economy of cities

Film as urban branding

The politics and economics of
on-location shooting

Theoretical approaches to space/place
in contemporary film studies, and to the moving image in urban studies

The gendered, racialised, and sexual
geographies of urban cinema

Representations of class

The hedonistic city in film

Urban crisis and cinema

Abstracts of up to 250 words to Johan Andersson by October 1, 2013.



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