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Media and Place conference – CFP

Conference CFPs Posted on 14 Jan, 2014 09:18:55

CALL FOR PAPERS

‘Media and Place’

School of Humanities and
Cultural Studies
Faculty of Arts,
Environment and Technology
Leeds Metropolitan
University

To celebrate the launch
of the new ‘Media and Place’ Masters programme, we are pleased to announce our
conference on the 11-12th July 2014.

Confirmed Keynote
speakers:

Prof Shaun Moores
(University of Sunderland); Prof Kevin Hetherington (The Open University); Prof
Helen Wheatley (University of Warwick)

Media operate in settings
and environments: they exist in place. Some media spaces we occupy feel like
home – listening to our favourite radio stations while we drive to work – while
others enable virtual travel across vast physical spaces to different
geographical locations. Media can escort us in an instant from the glamour of
the global city to the minute, quotidian details of life lived at the local.
Television’s liveness can gather very different people in the same physical
space or draw together disparately located audiences around political events,
sports tournaments and ecological disasters. Film makes possible different
versions of the same city, multiplied as it filters differently through the
eyes of the director to the audience. Media can blur the boundaries between the
private and the professional, transform domestic boundaries into global
businesses, and offer individual opportunities for public confessionals. New
media connect us across continents with friends, loved ones and those we’ve
never met. Yet place is always more than a location on a map; it is lived and
experienced through repetition such that some places become laden with meanings
of belonging and affective attachment. In what ways does place matter to the
media? How far do we inhabit or live inside the media we use? Or rather, has
the electronic world created a culture of placelessness? This inter-disciplinary
conference welcomes researchers and practitioners from media and cultural
studies, urban history, post-colonial studies, gender studies, urban sociology,
cultural and phenomenological geography, politics, political economy,
philosophy, social and cultural theory, cultural policy, anthropology, town
planning, architecture, design, visual arts and ecology.

Conference themes

Themes and issues that
the conference seeks to cover include (but is not limited to):

1. The
cultural representations of land and urbanscapes across time and space;

2. Media and
other representations of place and in particular of the North of England;

3. Transitory
and marginalised spaces – suburbia, media as navigation, disadvantaged and
stigmatised neighbourhoods, urban fringes, places en route;

4. Urban arts
and media responses to the economic crisis post 2008, including – issues of
cultural activism, resistance and culture-led regeneration;

5. Theories
of rural and urban media mindscapes and imaginaries and of media, place and
affect;

6. Drama,
literature, cinema and television of the North: Kes, East is East, Last of the
Summer Wine, The Red Riding trilogy, Wuthering Heights, Haweswater, Fat Friends
…..

7. Post-colonial/global
city spaces, hybrid and intercultural uses of media in urban and rural places;

8. Guerilla
gardening, ecological DIY protest, pop-up urbanism, the emergence of new
informal cultural venues and other grassroots interventions in urban and rural
environments;

9. Digital
technologies and new uses of urban and rural space;

10.Disruption, artistic
intervention and subversive tactics (eg in post-communist
countries in Eastern and Central Europe);

11.Transport,
communication networks as media spaces;

12.Utopian/dystopian
places;

13.The reputation of
places in austerity times;

14.New media and spaces
of protest, conflict and subversion.

15.The places and
practices of sporting media (eg. Le Tour
de France, the Paralympics, the World Cup);

16.Bottom-up,
participatory urban and rural media and cultural
policies.

Publication

The conference organisers
are liaising with Palgrave MacMillan with a view to collecting selected
conference papers together in an edited collection for publication in 2015.

Submission of abstracts

The conference organisers
welcome proposals for single papers and panels of up to three papers. Please
send short proposals of no more than 300 words to mediaplaceconf2014@gmail.com,
by 1st February 2014 including a title, abstract, the theme your
paper speaks to and your affiliation details.



Living Maps 2014

Maps & Mapping Posted on 11 Jan, 2014 11:58:40

A SERIES OF SEVEN SEMINARS EXPLORING NEW DIRECTIONS IN CRITICAL CARTOGRAPHY


During the past decade the development of open source digital technologies has for the first time put the means of mapping in the hands of ordinary citizens. The ordinary person can now create maps that tell their own story, use GPS to plan journeys by land and sea, or go ‘geo-caching’ and adventure into new and unfamiliar environments in search of buried treasure…

See Living Maps Network: http://www.livingmaps.org.uk/



London Wonderground Map

Maps & Mapping Posted on 10 Jan, 2014 16:59:09

“The map that saved the London Underground…”: http://www.bbc.co.uk/news/magazine-25551751



Literary cartographies CFP – RGS 2014

Conference CFPs Posted on 10 Jan, 2014 09:55:15

Literary cartographies: the co-production of page and place.
Sponsored by Social and Cultural Geography Research Group RGS-IBG AC2014

This session invites papers that investigate the ways in which geographies of
fiction co-produce the real and imagined places around us. As Piatti et al
observe, geography is essential to fiction, it is “impossible to even think of
literature without any spatial context” (2008:4); however, the co-productive
relationship between real places and literary stories is complex. In some
cases, fiction intersects directly with real world cartographies. Narratives
can be based in specific countries, regions, and towns, so much so that we can
visit them in person and follow our characters’ footsteps with our own. This
direct coincidence of fictional and geographical space can be seen in examples
such as Hardy’s Wessex, Kerouac’s California, or Auster’s New York. In other
fictions, real geographies are moulded, with distances reduced, streets folded
and landmarks crumpled together. In this way, (brave) new worlds are invented
in the author’s and readers’ imagination. In the same way as some authors
invent ‘counterfactual histories’ (see Piatti and Hurni, 2009), these
re-workings may be conceived of as ‘counterfactual geographies’. However, as
this session explores, any claim to a clear and reliable reality is often
difficult to maintain in the realm of literature and geography. Thus, in the
words of Piatti and Hurni, stories can be rooted directly in the “physically
comprehensible world”, or exist in their own “rich geographical layer” above
it. These complex and fascinating relations combine to produce the “geography
of fiction” (Piatti & Hurni, 2011:218).

This session invites papers which explore the ways through which page and place
are co-produced in reading and writing practice. Secondly, it offers a
supplementary walking tour, based around a relevant piece of literature, which
offer a ‘novel’ means through which to experience the co-production of page and
place.

Session Convenors:
Dr Jon Anderson, School of Planning & Geography, Cardiff University. Email:
andersonj@cf.ac.uk
Dr Angharad Saunders, University of South Wales. Email: angharad.saunders@southwales.ac.uk



Mapping Culture conference – CFP

Conference CFPs Posted on 06 Jan, 2014 11:17:50

INTERNATIONAL CONFERENCE

Mapping Culture: Communities, Sites and Stories

May 28-30, 2014

Coimbra, Portugal

CALL FOR PROPOSALS

The Centre for Social Studies (Centro de Estudos Sociais – CES), a State Associate Laboratory at the University of Coimbra in Portugal, is calling for the submission of papers and panel/workshop proposals from academics, researchers, public administrators, architects, planners and artists for an international conference and symposium. The CES is committed to questions of public interest, including those involving relationships between scientific knowledge and citizens’ participation.

Cultural Mapping – A general definition:
Cultural mapping involves a community identifying and documenting local cultural resources. Through this research cultural elements are recorded – the tangibles like galleries, craft industries, distinctive landmarks, local events and industries, as well as the intangibles like memories, personal histories, attitudes and values. After researching the elements that make a community unique, cultural mapping involves initiating a range of community activities or projects, to record, conserve and use these elements. …The most fundamental goal of cultural mapping is to help communities recognize, celebrate, and support cultural diversity for economic, social and regional development. — Clark, Sutherland and Young

An emerging interdisciplinary field
Cultural mapping reflects the spatial turn taken in many related areas of research, including cultural and artistic studies, architecture and urban design, geography, sociology, cultural policy and planning. Traditional approaches to cultural mapping emphasize the centrality of community engagement, and the process of mapping often reveals many unexpected resources and builds new cross-community connections.

Internationally, cultural mapping has come to be closely associated with professional cultural planning practices, but its recent adoption within a variety of disciplinary areas means that ‘traditional’ approaches are being re-thought and expanded, with cultural mapping practices adopting new methodologies, perspectives and objectives as they evolve.

This event is intended to explore both conventional and alternative approaches to mapping cultures and communities in an international context. Presenters will discuss and illustrate innovative ways to encourage artistic intervention and public participation in cultural mapping. They will also address the challenges posed by such artistic practices and community involvement in various phases of the research process, from gathering and interpreting data to modes of presenting ‘findings’ to interest groups from different sectors – the local public as well as specialists in the arts, research, public administration and planning.

Two key dimensions of current research with implications for artistic, architectural and planning practices are:
(a) the participatory and community engagement aspect, especially in the context of accessible mobile digital technologies
(b) mapping the intangibilities of a place (e.g., stories, histories, etc.) that provide a “sense of place” and identity to specific locales, and the ways in which those meanings and values may be grounded in embodied experiences.

These two aspects will be highlighted in the conference presentations and symposium workshops, bridging interests of both researchers and practitioners.

EVENT COMPONENTS
 Keynote lectures
 Plenary panel sessions with discussions among researchers, artists/creators, and local planners/municipal representatives
 Interactive workshop sessions (Symposium)
 Associated artistic presentations to complement event themes

KEY THEMES
 Cultural mapping as an agent of community engagement
 Cultural mapping as a tool of local policy development
 Cultural mapping processes and methodologies
 Multimedia mapping tools – recording interpretations and cultural uses of public space
 Artistic approaches to cultural mapping
 The artist-researcher in interdisciplinary inquiry
 Understanding architecture and urban space through mapping

Sub-Themes
Particular panel sessions can be organized for sub-themes such as:
 ‘Making visible’ eco-cultural knowledge and practices through mapping
 Political underpinnings of cultural mapping – Lessons and corrections
 Mapping as activist art

Symposium – Linking research and practice
Collaborative research with communities can help us better understand its role in their cultural and social development. But how to create or recreate such an experience? The Symposium elements will address how multidisciplinary research perspectives can be applied to local development practice. Workshops will be used to explore the possible contributions of cultural mapping approaches to different communities at a local level, and the role for academia.

 What type of ‘cultural map’ is required, and what methodological tools have proven to be valuable?
 How can academic knowledge be effectively applied to solving issues at the community level?
 How much of this information is more than what we see, that is, ‘cultural mapping’ for the intangible or unseen?

CALL FOR PROPOSALS
We invite proposals for individual paper/project presentations, thematic panel sessions and workshops. The primary language of the event will be English, but proposals for presentations in Portuguese are also welcome. (We will try to arrange for ‘informal’ translation support for Portuguese-language sessions, as possible.)

SUBMITTING A PROPOSAL (online at the CES website: www.ces.uc.pt)
Required information:
 Name of primary author
 Email of primary author
 Names of other authors (if applicable)
 Position/title of primary author
 Organization/institution
 Department
 City
 Country
 Is this presentation part of a proposed panel? Y/N
 If yes, title of panel
 Title of presentation
 Abstract (250 words)
 Key theme(s) of presentation (from the list of themes above)
 Brief bio of presenter(s), including position/role of each (e.g., researcher, professor, architect, doctoral student, artist, town planner, etc.) (max. 250 words)

Panel Proposals
If you are proposing a panel, please submit the proposed paper of each panel participant separately, using the submission form, to provide full information for each paper and participant. Be sure to enter the title of the proposed panel in the assigned field.

Abstracts will be published in the conference program in English and Portuguese.

Full Papers
Selected papers will be compiled and posted online (in a password protected folder), and all conference registrants will receive an email with the URL and password for access prior to the conference.

We are planning to publish selected papers in a journal, following the conference.

TIMELINE
– Launch – Conference website, online submission form at www.ces.uc.pt January 15, 2014
– Launch – Registration February 1, 2014
– Submission Deadline – using online submission form at www.ces.uc.pt February 14, 2014
– Selection decisions communicated to authors March 1, 2014
– Early Registration closes April 15, 2014
– Completed Papers Deadline – email to: MappingCulture@ces.uc.pt May 15, 2014
– Conference Presentation in Coimbra May 28-30, 2014

PROJECT PARTNERS and COLLABORATORS (so far)
– Centro de Estudos Sociais (CES) / Centre for Social Studies, University of Coimbra, Portugal Colégio das Artes, University of Coimbra
– The Social Sciences and Humanities Research Council of Canada
– Thompson Rivers University, Canada

QUESTIONS? Please contact Dr. Nancy Duxbury: duxbury@ces.uc.pt

REFERENCES
Clark, Sutherland & Young (1995). Keynote speech, Cultural Mapping Symposium and Workshop, Australia.
McLucas, Clifford (no date), There are ten things that I can say about these deep maps. Available: http://documents.stanford.edu/MichaelShanks/51.
Scherf, Kathleen (2013), The Multiplicity of Place; or, Deep Contexts Require Deep Maps, with an Example. Paper presented at World Social Science Forum, October 13, 2013.
Shanks, Michael; Pearson, Mike (2001), Theatre/Archaeology. New York: Routledge.
Stewart, Sue (2007). Cultural Mapping Toolkit. Vancouver: 2010 Legacies Now and Creative City Network of Canada. Available: http://www.creativecity.ca/database/files/library/cultural_mapping_toolkit.pdf



New Liminalities publication

Liminality & Landscape Posted on 05 Jan, 2014 16:09:00

Coastal Cultures: Liminality and Leisure

Edited by Paul Gilchrist, Thomas Carter and Daniel Burdsey

LSA Publication No. 126 December 2013 (print)ISBN 9781905369454

Contents

Foreword
Fred Gray

Editors’ Introduction
Paul Gilchrist, Thomas Carter and Daniel Burdsey

Histories of Liminality on the Coast
John K. Walton

Wading through Mangroves: Thoughts on Theorizing the Coast
Thomas F. Carter

The Cultural Seascape, Cosmology and the Magic of Liminality
Rob van Ginkel

Liminality and the Production of Coastal Tourism Resorts
Sheela Agarwal

“Feeling Connected”: Practising Nature, Nation and Class through Coastal Walking
Leila Dawney

Coast and the Creative Class: Relocation and Regeneration at the Edge
Andrew Church, Paul Gilchrist, Neil Ravenscroft

Contrived Liminality and the Commodification of the Post-Industrial Waterfront
Steven Miles

http://www.leisure-studies-association.info/LSAWEB/NewTitle/126.html



Architecture & Culture CFP – Transgression: body and space

Conference CFPs Posted on 03 Jan, 2014 12:43:46

Architecture
and Culture / Transgression: body and space
Call
for Papers

To
transgress is to break, violate, infringe, or go beyond the bounds of accepted
norms or limits; such limits may be behavioural or cultural (embedded
in law, moral principle, taboo or other codified standards) or spatial.

We
would like to invite you to submit work for consideration for publication
in a special issue of the AHRA journal, Architecture and Culture on
the theme of “Transgression: body and space”. This issue will draw from
the 10th AHRA International conference on the subject of Transgression which
took place at the University of the West of England, Bristol UK, 21-23 November
2014. However, submissions are also very welcome from contributors who
did not attend the conference. This journal will be guest edited by David
Littlefield and Rachel Sara, who will work closely with the permanent editorial
team of Igea Troiani, Suzanne Ewing and Diana Periton.

This
special issue will explore the way in which the notion of transgression
allows us to explore the relationship between the body and space.
From Edgar Allen Poe to Georges Bataille, the history of transgression
is intimately bound up with ideas of the body, psychology, identity
and society. If, as Lefebvre argues, space is a social production, then
what role might transgression play? How can understandings of the body (what
it is; its relationship with mind, psyche and identity; the manner in which
it can enhanced, changed and adapted) affect our understanding and interpretation
of space? How can the relationship between the body and space be
(re)considered?

Architecture
and Culture welcomes explorations that are rigorously speculative,
purposively imaginative, visually and verbally stimulating. It solicits
essays, critical reviews, interviews, fictional narratives both in words
and images, art and building projects, and design hypotheses.

Papers
should be submitted electronically via Editorial Manager at: http://www.editorialmanager.com/archcult/
by the 27th January 2014. Notes for
contributors can also be found on this site. Contributors will be informed
of the result of the peer review process by Friday 7 March.

Papers, accepted
subject to revisions, must be completed by Monday 24 March. If
you have any queries or require further information, please contact: David
Littlefield: david.littlefield@uwe.ac.uk Rachel
Sara: Rachel.sara@uwe.ac.uk

Architecture
and Culture is the new journal of the Architectural Humanities Research
Association.



Biblio (71) Films

Film, Space & Place Posted on 03 Jan, 2014 12:38:56

Reblogged from urbanculturalstudies

BIBLIO (71) FILMS

Planum,
the Italian online urban planning magazine, is publishing a series of
links to urbanism-related films
, with interesting examples. Most of the
clips are historical, but there are also recent films, that are not freely
visible online, but which seem quite interesting, as“unfinished
Italy”
, in which among other things you can see a re-use of an unfinished
road viaduct.



The Place of ‘place’ in wellbeing

Conference CFPs Posted on 03 Jan, 2014 12:31:17

The
place of ‘place’ in wellbeing scholarship

Convenors

Juan
Pablo Sarmiento Barletti (University of St Andrews) email
Emilia Ferraro (University of St. Andrews) email

Proposals
for the panel *The Place of ‘Place’ in Wellbeing Scholarship *to be held at the
ASA’s meeting in June. Paper proposals should be submitted at

http://www.nomadit.co.uk/asa/asa2014/panels.php5?PanelID=2742
by January 5th
2014 (Sunday).

This
panel presents a forum for the critical engagement with conventional and
contrasting approaches and understandings of wellbeing. Our panel aims to: 1)
contribute to the emerging scholarship that calls for more complex and
culturally nuanced considerations of “the everyday business of living in
the world” (Whatmore 1999:30); 2) takes indigenous complex understandings
of the world and how to live in it seriously; 3) responds to recent calls for
“place-based” understandings of wellbeing; and 4) shows the
methodological contributions of rigorous ethnography to wellbeing scholarship.

Are
discussions of wellbeing not also ontological discussions of what it means to
be human? If so, do different understandings of “wellbeings” beget
different modes of humanities? The interdisciplinary nature of wellbeing
scholarship focuses mainly on affluent societies of the North, hence mainstream
ideas of wellbeing are framed within grand Western narratives of what it means
to be human. What does a consideration of “place” bring to current
understandings of wellbeing? In what ways do “alternative”
understandings of wellbeing based on different modes of humanity challenge
conventional ideas debated in mainstream scholarship and policy debates? Can
such understandings of wellbeing represent possible viable alternatives to
mainstream universalising concepts of wellbeing? We invite ethnographic and
non-ethnographic papers that reflect critically on the importance that
“place” as an empirical and ontological category plays in
considerations of wellbeing cross-culturally.

http://www.nomadit.co.uk/asa/asa2014/panels.php5?PanelID=2742



Sacred Space, Pilgrimage, and Tourism

Conference CFPs Posted on 03 Jan, 2014 12:24:22

First Call for Papers: Sacred Space, Pilgrimage,
and Tourism

Conference:

RGS-IBG Annual
International Conference, London, Tuesday 26 to Friday 29 August 2014

Theme:

Geographies of
co-production

Conference chair:
Wendy Larner (University of Bristol)

Session sponsored by:
Geographies
of Leisure and Tourism Research Group (GLTRG) of the RGS-IBG

And convened by:
Jacky Tivers (St John’s College, Nottingham)

According to Park (1994,245), ‘one of the more
prominent geographical dimensions of religious expression is the notion of
sacred space’. Interest in this concept within human geography has
increased considerably in recent years (for instance, Hopkins et al, 2013;
Dwyer et al, 2013; Sturm, 2013; Megoran, 2013; Przybyiska, 2013; Dewsbury and
Cloke, 2009; Daniels, 2009; Holloway and Valins, 2002). Linked to the
idea of sacred space is the phenomenon of pilgrimage, which has been studied
through ‘a wide range of approaches – academic, confessional, personal and
canonical’ (Coleman and Elsner, 1995, 8), and which has also attracted the
attention of geographers (for example, Maddrell and della Dora, 2013).

Today, sacred space and pilgrimage are features of
all faiths and spiritualities, as well as being evident within the secular
realm, and are therefore important concepts to be considered in relation to
geographical understandings of places and their contexts. In addition, sacred
sites and pilgrimage routes may be re-imagined as tourism opportunities, both
by promoters and by tourists themselves. Indeed, Ron (2009,290) asserts that
pilgrimage is simply ‘a sub-type, or form, of tourism’, while Tidball (2004)
fears that it may very often show the same characteristics of ‘transience,
spectatorship, non-engagement with the local culture and moral
irresponsibility’ as tourism often does.

This session aims to investigate the co-production
of sacred space through the lens of pilgrimage/theology/spirituality/belief
systems, on the one hand, and that of tourism/leisure/promotion/visitor
behaviour, on the other, addressing practices at a range of scales –
individual, communal and commercial. Papers are invited which address
this issue of co-production specifically, as well as those that deal more
broadly with the concepts of sacred space and pilgrimage.

Abstracts of approximately 200 words should be
submitted to Jan Mosedale (jan.mosedale@htwchur.ch) by Friday, 14th February 2014.



London Underground’s Ghost Stations

Maps & Mapping Posted on 03 Jan, 2014 12:21:47

Re-blogged from Progressive Geographies

Dylan Maryk has
made a Google Map of London Underground’s abandoned or relocated stations; usvsth3m has
turned this into a map based on the standard Underground map.

http://usvsth3m.com/post/52135944891/ghost-stations-of-the-london-underground-on-the-classic



Architecture & Culture CFP – Architecture Film

Conference CFPs Posted on 03 Jan, 2014 12:13:59

Call for Papers for Volume 3, Issue no. 1 of the journal, Architecture and
Culture is titled ‘Architecture Film’
Issue edited by Dr Igea Troiani and Professor Hugh Campbell.

This aim of this issue of Architecture and Culture is to investigate how
the now expanded field of architecture utilises film studies, filmmaking
(feature film, short film, animation, stop motion animation or documentary)
or video/moving image making in practice, teaching or research, and what the consequences are of this interdisciplinary exchange.

While architecture and film have clearly distinct disciplinary outputs, the
possible intersection between them is less defined even though there is
considerable extant literature and research on this topic. Through this
call, we seek papers that investigate the ways in which practicing
architects, teachers of architecture and their students, and architectural
researchers, filmmakers, animators, documentary makers, social scientists or social geographers, anthropologists, landscape architects, urban designers,interior architects and installation artists are using film uniquely in their practice. We call for explorations of the way in which film contributes to architectural and filmic practice, knowledge and design,seeing the two disciplines side by side as equal, with no prepositions suggesting a specific relationship but at the same time creating a kind of distance and difference between the two.

We invite rigorously speculative, purposively imaginative, visually and
verbally stimulating contributions that explore architecture and film
through their own mode of argument – that combine text with sound or image
(moving or still), or that use text or image in investigative ways. We
encourage contributors to upload film, video or sound files relating to the
submission, as they will be accessible via the online publication of the
journal. Contributors are encouraged to submit parts of a script,
storyboard, mood board or sequential video grabs from the film or video
referred to in the paper. A maximum of 10 jpg images and 1 video per
submission will be accepted through our on-line submission system. We want
to explore how new digital technologies might impact on the form and content of an academic journal article.

Papers might address the following themes and questions:

Designing in Practice and Film

Only a small number of practicing architects have made short or feature
fiction films. Most practicing architects use animation or 3D visualisations ‘for demonstration or selling’ their work, or are approached by or commission documentary makers or filmmakers to make documentaries or films of their architecture. Some architects adopt a less pragmatic approach,instead electing to use film or video to focus on existential space. Select social scientists or geographers have used video to record social relations in space. While it does exist, it is less common for architects to use live action footage as a part of their fieldwork studies or design research process. What are new and original ways in which practicing designers of
space can use film in their praxis? What expertise do architects need to
know about filmmaking to undertake inter-disciplinary architecture film
work? Can, and then how can, the making of videos or films better allow
architects to understand the cultural, social and environmental context of
sites to enable to them operate in a more engaging way with client/user
issues? What are the virtues that film and video can bring to
architectural/landscape/urban design/interior design? How can CG, VFX and
animation be used inventively to contribute to the practice of
architectural/landscape/urban/interior design? How can working with film or
video contemporise the architect’s practice?

Architecture Film Pedagogy

Within schools of architecture, it is increasingly common to see the use of
experimental filmmaking or integration of film studies in the architectural
design studio or for site research. Within the architectural design studio,
teachers of architecture have speculated on how architecture and film might
be used methodologically to change the process of design or to incorporate
particular design requirements. Using animation to create animated
architecture is becoming more commonplace. Students are capable of making
and editing films easily and can therefore produce short films, videos and
animations quickly. What are new and original ways of using film in design
studio teaching? How might we better understand place, culture and identity
through using film in architectural studio research? Are there truly radical ways in which film can be used in teaching about the making of space and place?

– Architectural Research and Film

In their analyses of commercial and art house films, theoreticians and
historians regularly speculate on the ways in which film studies inform an
understanding of architecture and space. An uncommon form in which film is
used in architectural history research is the documentary, where oral
accounts can better be recorded. Another emergent form of architectural
filmmaking is in the production of short fiction films. How can making
documentaries or films enhance architectural research? To what extent can
researchers on architecture learn filmmaking? How have architects
collaborated with film industry experts in research? What is the difference
between working with real footage as opposed to fictional material in making architecture films?

The submission deadline is 10th March 2014, 5pm UK time. Accepted articles
will be published in March 2015.

For author instructions, please go to ‘Notes for Contributors’
http://www.bloomsbury.com/uk/journal/architecture-and-culture/

Upload
submissions at: http://www.editorialmanager.com/archcult/

If
you have any queries or require further information, please contact: Igea
Troiani: itroiani@brookes.ac.uk

Architecture
and Culture is the new journal of the Architectural HumanitiesResearch
Association http://www.ahra-architecture.org/



Transformative Legacies talk

Talks & Presentations Posted on 17 Dec, 2013 11:41:18

On 13 November 2013 as part of the Engage@Liverpool Transformative Legacies series I gave a paper titled ‘Spatial Anthropology: Outline of a Field of Practice’. The event was nominally based around the legacy of the James Frazer who for a short time was based at the University of Liverpool. Other speakers included Ciara Kierans and Bruce Routledge.

The text of the paper I presented is copied below:

Spatial Anthropology: Outline of a Field of Practice

In this presentation I want to follow several threads of discussion that each feed into a broader focus of analysis which is: anthropology as a field of practice. The spatial anthropology bit I’ll come onto a bit later. Framing things in terms of an ‘outline of a field of practice’ obviously has a certain Bourdieuian ring to it, and that is not entirely coincidental. It is also the sub-title of a paper I recently co-authored with Hazel Andrews on tourism anthropology some of which I’ll be drawing on here. As with the arguments put forward in that paper, the rationale for discussing anthropology as a field of practice is to situate what anthropology is (or isn’t) in an explicitly post-disciplinary contextual framework. Those of us here who would readily apply or relate the term ‘anthropology’ to their own practice probably do so in the recognition that we increasingly inhabit and move within spaces that do not neatly align along disciplinary lines, and that, as such, what might count as ‘anthropological’ perspectives sit alongside a whole host of others, some complimentary, others perhaps less so. Up to a point this is of course true for any academic discipline. But one of the questions we might wish to take from this is what happens to anthropology and anthropologists when it – and they – migrate out of anthropology departments? What happens when the field of practice is muddied with the boots of cross- and post-disciplinary intellectual traffic? Or, to put the question in unabashedly Bourdieuian terms, what is the habitus of post-disciplinary anthropology? One way of beginning to address these questions is, in good old anthropological fashion, to reflexively observe or draw from our own ‘anthropological practice’. So in part at least this is what I will try and do in this presentation. I’ll also be exploring more closely some recent cross-currents of thought between anthropology and geography, and this is where the spatial anthropology side of the equation will hopefully begin to make a bit more sense.

Given that we’ve evoked the spirit of Frazer for this event, I feel duty bound to begin with at least some brief reflections on his legacy, to the extent that there is a legacy to speak of that is. My initial inclinations were to give him pretty short shrift. After all, as well as being an exponent of Darwinian evolutionist approaches to the culture and belief systems of so-called primitive cultures, Frazer was also famously known as an ‘armchair anthropologist’. Before the arrival of pioneers such as Malinowski or, in the United States, Franz Boas, Frazer’s generation rarely consummated the formative anthropological rite of passage that is fieldwork. For Frazer travel was limited to the vicarious kind, his analysis drawn from the expansive Orientalist literature that, in his day, passed for anthropological knowledge, and which, as Edward Said argued, played an key role in processes of European colonial expansion. In terms of Frazer’s legacy, his place in the canon of key anthropological writings taught at universities is for the most part likely to be marginal to the point of non-existence. Out of curiosity, in preparing this talk I dusted off my 1st year undergraduate lecture notes (in the mid 1990s I studied social anthropology at SOAS in London). I was not surprised to learn that The Golden Bough was not on any of the key reading lists, nor did it appear on any of the supplementary reading lists either. This appeared to confirm my suspicions that Frazer was nothing more than a footnote in the history of anthropology and that it wasn’t until Malinowski came on the scene that anthropology ‘proper’ – that is, something that more closely resembles what we might recognise as the discipline today – first began to take shape.

However, just as I was about to swipe Frazer and his legacy into oblivion, I realised that I had only recently drawn on his work myself in a paper on marketing popular music tourism sites, and that, footnote or not, his work still obviously has retained some degree of critical resonance. The paper in question took Frazer’s theory of contagious and sympathetic magic and argued the case that modern marketing discourses – particularly those that draw on the symbolic value associated with sites of local cultural heritage – often practice forms of what can be described as contagious magic. I won’t go into too much detail of the argument here (and refer you instead to the paper itself), but in a nutshell the idea being examined was the efficacy ascribed to the anticipated ‘rubbing off’ of cultural capital, as if, through contact or mimesis, some sort of economic and regenerative ‘magic’ will inevitably rub off and cast its benign spell over a city or region. Which is all well and interesting but need not concern us here. In terms of the current discussion, the point I wish to make here is that Frazer’s ideas (or some at least) have gone to inform later theoretical writings on magic and mimesis, whether this be the work of Walter Benjamin, or that of anthropologists such as Michael Taussig or Alfred Gell. Although my use of Frazer in this example probably more closely resembles what the Situationists refer to as an act of détournement than an acknowledged anthropological debt, it is nevertheless the case that Frazer’s book is still being referenced and ideas still being chewed over so there is undoubtedly a legacy there to speak of, albeit one that has been re-processed through subsequent and more substantive theoretical frameworks.

A description of anthropology I have always liked is one offered by Tim Ingold, which is simply ‘philosophy with the people in’. If we apply this to Frazer we immediately see the glaring anthropological deficit at the core of his enterprise: i.e. the conspicuous lack of actual human engagement and ethnographic interaction. It is philosophy without the people in. And before this begins to sound like a valorisation of the ethnographically-savvy Malinowski at the expense of the stay-at-home Frazer, it is worth paying brief mention to the controversy following the posthumous publication of Malinowski’s field diary in the late 1960s. Described by some as functioning as a kind of ‘safety valve’, the diary reveals racist and at times hostile attitudes towards his Trobriand informants which provide an altogether different view from that portrayed in his monograph, Argonauts of the Western Pacific. One of the more infamous lines from the diary is ‘on the whole my feelings toward the natives are decidedly tending to “Exterminate the brutes”’. With the phrase ‘exterminate the brutes’, Malinowski is directly quoting from fellow Pole Joseph Conrad’s novella Heart of Darkness, not exactly a model of enlightened and empathetic ethnographic practice. That said, the ‘horror’ of some fieldwork experiences, if we can put it in those terms, would probably make for a fruitful area of discussion, and who knows, might even render Malinowski in a more sympathetic light insofar as the ethnographer-informant relationship is recognised as having its more testing moments. How many anthropologists, I wonder, in private moments of discomfort or despair have on occasion not harboured some less than wholesome views towards those they are studying? Anthropologists are only human after all. So coming back to Ingold’s ‘philosophy with the people in’, the point I wish to raise here is that, however distasteful, the diary provides valuable insights into Malinowski the man, rather than Malinowski the scientifically objective anthropologist, the latter being of course a complete fiction. These more ‘back stage’ reflections allow for a greater recognition of the situated, subjective and in many ways contingent realities that are framed by the ethnographic encounter. So in pragmatic terms at least, the idea of ‘philosophy – or anthropology – with the people in’ highlights the importance of critically taking on board questions of reflexivity, the value and role of personal narratives and experiences, and of considering how adopting more auto-ethnographic methods of fieldwork practice might be useful or productive.

A useful example to consider here is Marc Augé’s much-cited book Non-Places: Introduction to an Anthropology of Supermodernity. I very clearly remember when I was first introduced to this text, which was in a lecture in my first year at SOAS. The lecturer held up the slim volume in one hand and in the other he brandished the weighty tome that is Manuell Castell’s The Rise of the Network Society, which had also just been published. The lecturer’s point wasn’t to necessarily argue the merits for one over the other – for Augé vs Castells – but rather to highlight the uniquely anthropological perspective on offer in Non-Places, and to show the value of auto-ethnographic narratives in fleshing out the lived spaces of what Augé calls ‘supermodernity’. These are spaces of transit such as airports, high speed road networks, shopping malls, etc. and which represent the architectural and geographical counterpart to Castell’s ‘space of flows’. What Augé was also doing in the book was to highlight the challenge of relating some of the established anthropological ideas of place and space – such as those from a more Durkheimian tradition – to these new ‘placeless’ or transitory environments. In the book Augé doesn’t really develop as full or as adequate response to this challenge himself, the book offers more of a diagnosis than a fully-fledged ethnographic study of these landscapes. However, that said, the publication of Non-places was without doubt an important intervention in the development of specifically anthropological approaches to place and space – or ‘spatial anthropology’ if you prefer.

Another influential book that left its mark on my early adventures in anthropology was Michael Jackson’s Paths Toward a Clearing: Radical Empiricism and Ethnographic Inquiry, published in 1989. As an undergraduate I remember being very excited by this discovery and could not understand why this strand of anthropological theory and method was not more widely practised. Jackson’s work is very much rooted in an American tradition of cultural anthropology as opposed to the Durkheimian structural-functionalist tradition that has shaped the development of much Anglo-French social anthropology. As a leading exponent of phenomenological and existential anthropology, Jackson’s work explores questions of experience, embodiment, and the senses, and he offers a fieldwork model which places the anthropologist full square in the immersive field and experiential flux of the ethnographic encounter. This is what is meant by a ‘radical empiricist’ ethnographic method, drawing on everything that the field throws at you, whether emotional, bodily, sensory, performative, spatial, intersubjective, observational, thick description and so on. Strongly influenced by, amongst others, the pragmatist philosophy of William James, the phenomenological writings of Heidegger, Sartre and Merleau Ponty, as well as the work of Pierre Bourdieu, Jackson’s brand of anthropology, which is mostly based on his work with the Kuranko peoples of Sierra Leone, offers a rich embracing of Ingold’s ‘philosophy with the people in’ prescription. The core focus on experience also has close affinities with the work of experiential anthropologists such as Victor Turner and Ed Bruner.

Another phenomenological anthropologist we could briefly mention here is Thomas Csordas, whose work sits mainly in the area of medical and psychological anthropology and theories of embodiment. Commenting on the methodological focus on issues of affect, emotions, embodiment, performance and the senses, Csordas is keen to stress that ‘it will not do to identify what we are getting at with a negative term, as something non-representational’ (1994: 10). In other words, just because phenomena cannot be ‘represented’ in conventional empirical observational terms, it doesn’t make it ‘non-representational’ (and this takes us back to the radical empiricism championed by figures such as Jackson). If we jump back to Augé for a second we can get a sense of the shortfalls of Augé’s answer to his own question of how do you conduct an anthropology of supermodernity? How do you begin to go about ethnographically investigating a space such as an airport terminal? The shortfall in Augé’s approach is perhaps on account of his being hamstrung by a rigid dualism of representational vs. non-representational thinking. And that this is in part a reflection of a disjuncture between anthropology modelled on a structural-functional intellectual heritage (of which Augé is clearly an inheritor), and one more reflective of the interpretative, experiential and phenomenological approaches exemplified by anthropologists such as Jackson and Csordas.

When we start to examine this from a wider cross or post-disciplinary context the marginalisation – certainly in British schools of social anthropology – of more phenomenological approaches to anthropological fieldwork has opened the way for scholars from other disciplinary backgrounds to steal a march, effectively. And this, I am suggesting, has possible negative ramifications in terms of the longer term sustainability of anthropology in British universities, where it sometimes seems as though it is clinging on by its fingertips. When we consider the sort of approaches pioneered by US anthropologists such as Jackson alongside initiatives that have been developed in other disciplines, most notably in geography, we can get a sense of how many of these ideas have diffused across disciplines. To take this slightly further, and proceeding from Csordas’s well observed note of caution about the term ‘non representational’, it is worth briefly considering ideas around so-called ‘non representational geographies’.

I am not going to go into this in any great depth, and I’m working towards a conclusion anyway, but I just wanted to consider some of the claims made with regard to non-representational theory. And these are cited with the preceding discussion very much in mind. I am quoting here from Nigel Thrifts 2007 book Non-Representational Theory: Space, Politics, Affect.

Acknowledging the ‘increasingly diverse character’ of non representational theory, and that ‘it has a lot of forebears’, Thrift outlines some of its key tenets: 

· — the importance of ‘radical empiricist’ epistemologies;

· — the ‘on-flow’ and flux of everyday life;

· — the ‘spillage of things’ (the material and technological apparatus of everyday social being – our relationship with objects and non-human agents);

· — corporeality, affect, and the senses;

· — performance and play;

· — and an attentiveness to practices, ‘understood as material bodies of work or styles that have gained enough stability over time, through, for example, the establishment of corporeal routines’ .

Another introductory or sound-bite definition Thrift offers is that non representational theory is about ‘the geography of what happens… what is present in experience’ (ibid: 2, emphasis in original). ‘The geography of what happens’ is certainly an intriguing turn of phrase. In our paper ‘(Un)Doing Tourism Anthropology’, Hazel Andrews and I float the contention that ‘the geography of what happens’ can almost be looked upon as an attempt to dress anthropological issues of place, practice and performance in the clothes of the geographical. Given that everything that happens happens somewhere (and that all anthropological phenomena is, therefore, at least partly if not intrinsically geographical) then where does this leave the anthropologist? And where does it leave anthropology as a discipline? If, rather than thinking about it in disciplinary terms, we think about anthropology in terms of its ‘doing-ness’ – in other words, in terms of its application as a wider field of practicethen what the example of non-representational geography helps us illustrate is that what might count as doing anthropology is not necessarily conditional on there being an explicitly framed discipline that is recognised in terms of it being anthropology. In other words, you don’t necessarily have to be an anthropologist to do anthropology.

If this is the case (and I am not claiming that it is necessarily), but if it is then it is a double-edged sword. On the one hand, the uptake of ethnographic methods that have been at the core of anthropological thinking and practice for decades are given a further reaching lease of life through different channels of theory and practice. At the same time it poses questions as to the specificity of anthropological perspectives and critical orientations (and the knock-on effects this might have for anthropology departments). Paul Gilroy has talked of the process of ‘filleting’ that sometimes occurs when ideas and theories translate between disciplines (particularly in the case of social science theories imported into business and marketing models). So for those of us who would wish keep faith in terms of ascribing to the idea of ‘philosophy with the people in’ rather than, say, a more nebulous ‘geography of what happens’, then it seems to me the task of practicing anthropology – whatever the disciplinary or institutional setting – demands a certain degree of vigilance and, for want of a better term, ‘anthropological advocacy’.

If, for the purposes of a few closing remarks, you can once again forgive the indulgence of my relating these points of consideration to my own experience, then the at times convoluted passage through three major interdisciplinary projects is one that has, if anything, re-affirmed my own convictions of the value of identifying more closely with this idea of anthropology as a field of practice. As a postdoctoral researcher I worked on two consecutive projects on film, mapping and urban space, and a European collaborative project on popular music, heritage and cultural memory. As interdisciplinary research programmes (working collaboratively with architects, geographers, sociologists, cartographers, film scholars, popular music scholars and others) all of these projects presented certain challenges in terms of negotiating a passage through a number of what were, at times, competing trajectories and perspectives. It is perhaps only in hindsight and on account of a closer rapprochement with anthropological approaches that it occurs to me that what probably underpins all the points of negotiation that made the projects so interesting to work on is some degree of adherence, on my part, to the principle of ‘philosophy with the people in’, or at least to skew things back towards more of an anthropological perspective. To conclude with a rather woolly call for a focus on ‘people’ sounds a bit trite, I know. But it is surprising how often you find yourself having to re-affirm – as much as to yourself as those around you – this otherwise quite elemental point of principle. Taken alongside the fact that, to paraphrase Henri Lefebvre, people have a social existence to the extent that they also have a spatial existence, it is also to re-affirm the idea of ‘geography with the people in’ (or indeed ‘architecture with the people in’). Whether ‘geography with the people in’ is the same thing as ‘human geography’ or not is probably one of those heads of a pin questions and not best pursued, but ‘spatial anthropology’, for my money at least, is a term that sits more comfortably as part of a wider, post-disciplinary field of practice.

References

Augé, M. 1995. Non-Places: Introduction to an Anthropology of Supermodernity. London: Verso.

Castells, M. 1996. The Rise of the Network Society. The Information Age: Economy, Society and Culture Volume 1. Oxford: Blackwell.

Csordas, T.J. 1994. ‘Introduction: the Body as Representation and Being-in-the-world’, in T.J. Csordas (ed.),1994. Embodiment and Experience: The Existential Ground of Culture and Self. Cambridge: Cambridge University Press.

Frazer, JG. 1924. The Golden Bough. London: Macmillan.

Ingold, T. 1992. ‘Editorial’, Man N.S. 27(4): 693–96.

Jackson, M. 1989. Paths Toward a Clearing: Radical Empiricism and Ethnographic Inquiry. Bloomington: Indiana University Press.

Thrift, N. 2007. Non-Representational Theory: Space, Politics, Affect. London: Routledge.

Roberts, L. 2014. ‘Marketing Musicscapes, or, the Political Economy of Contagious Magic’, in Tourist Studies, 14 (1).

Roberts, L. and H. Andrews. 2014. ‘(Un)Doing Tourism Anthropology: Outline of a Field of Practice’, Journal of Tourism Challenges and Trends.

Smith, M.1999. ‘On the state of cultural studies: an interview with Paul Gilroy’, Third Text, 13 (49): 15-26.

 

Les Roberts, 13 November 2013.



NY Times article on Google mapping and ‘world domination’

Maps & Mapping Posted on 12 Dec, 2013 11:42:27

Google’s Road Map to Global Domination

New York Times Magazine, 11 Dec 2013:

http://www.nytimes.com/2013/12/15/magazine/googles-plan-for-global-domination-dont-ask-why-ask-where.html?ref=international-home&_r=0



New Henri Lefebvre publication: Toward an Architecture of Enjoyment

Cities & Space Posted on 12 Dec, 2013 09:07:23

Re-blogged from progressivegeographies

A previously unpublished manuscript by Henri Lefebvre, Toward an Architecture of Enjoyment
is forthcoming with University of Minnesota Press. Edited by Łukasz
Stanek and translated by Robert Bonnano, this is going to be a
significant moment in the discussion of his work, especially since the
manuscript remains unpublished in French.

The relationship between bodily pleasure, space, and
architecture—from one of the twentieth century’s most important urban
theorists Toward an Architecture of Enjoyment,
the first publication of Henri Lefebvre’s only book devoted to
architecture, redefines architecture as a mode of imagination rather
than a specialized process or a collection of monuments. Lefebvre calls
for an architecture of jouissance—of pleasure or enjoyment—centered on
the body and its rhythms and based on the possibilities of the senses.

https://www.upress.umn.edu/book-division/books/toward-an-architecture-of-enjoyment



Counter Mapping Cultural Heritage

Memory & Heritage Posted on 05 Dec, 2013 14:10:39


Who Needs Experts? Counter-mapping Cultural Heritage
John Schofield (ed.). Ashgate.

Taking the
significant Faro Convention on the Value of Cultural Heritage for Society
(Council of Europe 2005) as its starting point, this book presents pragmatic
views on the rise of the local and the everyday within cultural heritage
discourse. Bringing together a range of case studies within a broad geographic
context, it examines ways in which authorised or ‘expert’ views of heritage can
be challenged, and recognises how everyone has expertise in familiarity with
their local environment. The book concludes that local agenda and everyday
places matter, and examines how a realignment of heritage practice to
accommodate such things could usefully contribute to more inclusive and
socially relevant cultural agenda.

http://www.ashgate.com/isbn/9781409439349



Locating the Moving Image

Publication News Posted on 29 Nov, 2013 17:19:37

Locating the Moving Image: New Approaches to Film and Place, edited by myself and Julia Hallam, has now been published: http://www.iupress.indiana.edu/product_info.php?cPath=1037_1223_7306&products_id=807036



Cestrian Book of the Dead

Projects Posted on 29 Nov, 2013 16:37:18

I’ve recently been revisiting the River Dee project with a view to creating an embedded Google Earth map of the geo-referenced data previously assembled (see ‘Sands of Dee’ webpage on liminoids.com). This is now finished and the map added to the website: http://www.liminoids.com/inthefield/sandsofdee/map.html.

The Cestrian Book of the Dead is a necrogeographic map of the Dee Estuary, located between Flintshire and the Wirral Peninsula. ‘Cestrian’ is a term that refers to the city of Chester, which, until the 18th Century and the eventual silting of the River Dee, was a major port city.

The map features historical sites of drowning, developed by geo-referencing data from Chester City Coroner records, dating back to the early 1500s. Many of the deaths record specific or approximate locations, as well as activities the deceased were engaged in at the time of their death.

The map reveals an estuarine and riverine landscape that was a thriving social and cultural space, playing host to everyday practices such as washing clothes, bathing, leisure (William Cowpack met his end picking daisies), and travel. As a liminal landscape, the river and the ‘Sands of Dee’ – immortalised in Charles Kingley’s poem of the same name – was a space of transit, a borderzone, and the site of a major communication route between England and Wales.

On account of its hazardous and unpredictable terrain (as well as its attraction as a popular site of suicide), the river and estuary were also places where many of its wayfarers found themselves ushered over the threshold between life and death. The Cestrian Book of the Dead is a monument to the innumerable ghosts that still inhabit these spaces in-between.

http://www.liminoids.com/inthefield/sandsofdee/map.html



Henri Lefebvre and Education

Cities & Space Posted on 13 Nov, 2013 13:33:48

Reblogged from Progressive Geographies

Sue Middleton’s book Henri Lefebvre and Education:
Space, Theory, History
is forthcoming in November with Routledge.

During his lifetime Henri Lefebvre (1901-1991) was renowned in France as a philosopher, sociologist and activist. Although he published more than 70 books, few were available in English until The Production of Space was translated in 1991. While this work – often associated with geography – has influenced educational theory’s ‘spatial turn,’ educationalists have yet to consider Lefebvre’s work more broadly.

This book engages in an educational reading of the selection of Lefebvre’s work that is available in English translation. After introducing Lefebvre’s life and works, the book experiments with his concepts and methods in a series of five ‘spatial histories’ of educational theories. In addition to The Production of Space, these studies develop themes from Lefebvre’s other translated works: Rhythmanalysis, The Explosion, the three volumes ofCritique of Everyday Life and a range of his writings on cities, Marxism, technology and the bureaucratic state. In the course of these inquiries, Lefebvre’s own passionate interest in education is uncovered: his critiques of bureaucratised schooling and universities, the analytic concepts he devised to study educational phenomena, and his educational methods.

Throughout the book Middleton demonstrates how Lefebvre’s conceptual and methodological tools can enhance the understanding of the spatiotemporal location of educational philosophy and theory. Bridging disciplinary divides, it will be key reading for researchers and academics studying the philosophy, sociology and history of education, as well as those working in fields beyond education including geography, history, cultural studies and sociology.



ELN call for papers – Imaginary Cartographies

Conference CFPs Posted on 06 Nov, 2013 08:28:15

ENGLISH LANGUAGE NOTES
Call for Papers:

ELN
52.1 Spring/Summer 2014
“Imaginary Cartographies”

In recent decades the map has emerged as a key site of cultural and imaginative reworking, and yet the history of such symbolic mediations between humans and their spatial environment is also ancient and complex. Volume 52.1 of ELN (Spring/Summer 2014) will investigate “Imaginary Cartographies” across centuries and cultural contexts to explore a range of these symbolic mediations. “Imaginary Cartographies” includes those methods of mapping literary space that generate both imaginative and culturally revealing understandings of recognizable and/or created worlds and their modes of habitation. The term refers to actual as well as purely conceptual maps, and includes spaces of considerable variability: from the mapping of cosmic, global, or local space, to charting the spaces of the body or the page. Geographers have argued that the social history of maps, unlike that of literature, art, or music, has few genuinely popular, or subversive modes of expression because maps pre-eminently are a language of power, not of protest; in this view, the map remains a site of territorial knowledge and state power, authority and jurisdiction, social codes and spatial disciplines—one intent upon eliding its tactile and material conditions of production. “Imaginary Cartographies” welcomes approaches to mapping that complicate this account by considering subaltern or alternative cartographies—cartographies that elude, interrupt, or disperse forms of power, or serve not-yet-imagined spectrums of interests.

Contributors may wish to present recent research findings on particular writers, cultural figures, or texts, or they may venture insights on broadly defined subjects, such as the aesthetics or politics of imaginary cartographies in a particular cultural or historical instance; on what constitutes cartographic assumptions or practices about space, nature, cosmology, or exploration at particular historical moments; on how cartography intersects with broader issues of knowledge creation and management, or the history of capital and conquest; or on the entanglement of literary theory with debates about (digitally) mapping texts individually or categorically. Papers on literature and particular cartographic practices are welcome: e.g. psychogeography, geomancy, cognitive mapping, digital mapping, and so on. Actual maps that are in some way conversant with literary concerns are also welcome.

Position papers and essays of no longer than twenty-five manuscript pages are invited from scholars in all fields of literature, geography, history, philosophy, and the arts. Along with analytical, interpretive, and historical scholarship, we are also interested in creative work that moves traditional forms of literary analysis into new styles of critical writing. The editors also encourage collaborative work and are happy to consider works that are submitted together as topical clusters. Another format that we invite is a debate or conversation between or among contributors working on a related aspect of cartography.

Essays will be reviewed by external readers; all submissions should adhere to the Chicago-style endnote citation format. Please email double-spaced, 12-point font, .pdf file submissions to to:

Managing Editor
English Language Notes

eln2@colorado.edu

Specific inquiries regarding issue 52.1 may be addressed to the issue editor, Karen Jacobs: (Karen.Jacobs@colorado.edu).

The deadline for inquiries and abstracts is November 15, 2013; submissions deadline is December 15, 2013.



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